Protective Patreon: The Protectors / Judaism and the Art of Model-T Maintenance

When I went over “The Protectors” to decide if it was fit for Patreon, I was a little surprised at how old it was. It reads like a proto-“Tribe” story, with Chorou as an early version of Gabriel. The story is date-stamped 1996, but it could have been written any time in the last twenty years. I’m no longer a fan of characters talking like barbarian kings, but I wanted the werewolves in this story to be alienating to the human characters so they’d have to temper their unease. The two rivals clinking champagne glasses at the end is also something more likely to show up in a later story. Looking back, I’m surprised I never tried to get it published.

“Judaism and the Art of Model-T Maintenance” was written for a college writing class, probably in 1992. I learned a lot in college writing classes: I learned that they were an easy A, I learned that I’d never get an honest critique in them, and I learned that writing professors eat up this sort of derivative literary pretension with a spoon. I also learned that I’d much rather write genre fiction than literary fiction and that I do not write to order well. I did write some good stories as homework, but that just wasn’t the path I wanted to take.

Pocketful Patreon – A Pocketful of Stars, Part Three

The first of November brings us the third part of A Pocketful of Stars, the incomplete rough-draft sequel to “Found: One Apocalypse.” In this installment, war veteran Iorgi Murrett must confront his past, and possibly have sex with it.

I tortured myself trying to think of what the Velincian Irregulars would find at the end of the trail; when I realized that these were a pair of criminal organizations each trying to bluff the other to death, the colony started to take shape. “We’ve tried everything else, so we’re just going to scare the galaxy into leaving us alone” seems like a fair place to land.

Peculiar Patreon: Swirlie / Monster’s Buffet

I don’t really have an explanation for “Swirlie.” I don’t remember exactly when it was written, but it was long before the “anything for attention” social media days, where people gleefully light themselves on fire for clicks. I did see one disturbing little TikTok recently in which some kid proudly drank out of the toilet, so I guess the possibility of “Swirlie” was always there, even if the medium wasn’t.

“Monster’s Buffet” is one of the “Licensed Beasts” stories. The Tribe also uses licenses in some cases. Werewolves are allowed to move unrestricted among humans as long as they’re licensed; there’s a fee and a written test, and the license has to be renewed every five years. And if a human accuses a werewolf of threats or violence, it can be revoked. It’s a terrible form of oppression, but it’s also not taken seriously. Some towns are strict about licenses, others don’t bother to check. Public places decide more or less on an individual basis to enforce licensing, and judges may be strict or lenient on whether those licenses are revoked.

What it does create is a wonderful incentive for werewolf-hating humans to pick fights, knowing that werewolves can’t even show their teeth without risking everything. An unlicensed werewolf basically has no rights; if they’re lucky, they’ll just be handed over to their own Pack and told to stay out of town. If they’re unlucky…well…they’d better hope they’re lucky.

Past Patreon: Cave of the Bear Clan / In the Cave

“In the Cave” was written as a college assignment in the early 1990s. To be honest (rub back of neck, nervous glance about the room) I didn’t get much out of college writing classes. I never received anything but the most ebullient praise in them, which is nice, but one doesn’t learn much from it. I would have been better served with lessons in an absorbing opening, rising action, building suspense, characterization, and a memorable climax. Instead, it was a circle of a dozen students reading their prose and clapping each other on the back for their genius. The professor might as well have gone out for coffee.

Later, I rewrote “In the Cave” into “Cave of the Bear Clan.” There’s not much resemblance between the two stories, and I bet you can guess which one has bear-people in it. They’re both about troubled college students exploring a cave and discovering how the past and present can redeem each other.

I don’t know much about spelunking myself, as I’ve seen enough YouTube videos to horrify me out of ever visiting any cave that doesn’t have a tour guide and a gift shop. (Seriously, what are you people doing?) So the caves in these stories are big and roomy and atmospheric instead of the tight little cracks in the rock that seem to attract every claustrophile with a selfie stick looking for a granite hug. Honesty, props to the mission, but it’s not for me.

Precarious Patreon: Baggage

This week brings a horror story suggested by Stephen King himself.

Not directly, I hasten to add. I never met the man and would probably be too gobsmacked to say anything if I did. The story comes from a writing prompt in his book “On Writing,” a must-have for any writer that fits very neatly on the shelf next to Strunk and White and the most recent Writer’s Marketplace.

The prompt is a little dated, so the story is a little dated; I doubt I wouldn’t have made the antagonist quite so cartoonishly evil if I’d written it today. The Internet being what it is, there’s always the possibility of unintended interpretations. That’s the gamble you take.

Ask Stephen King.

Hustler Patreon: A Pocketful of Stars – Part Two

Rollo Darrin is the Apocalypse’s field man. It’s his job to make use of his extensive gray-market contacts to keep the battleship in business. It can be difficult to knock him off his stride. In this chapter, however, he hardly spends a moment on his feet. Surfing the brutal reputation of the Velincian Irregulars, Rollo spends days traveling from grubby outpost to gorgeous resort, grabbing whatever benefits he can scam along the way.

It’s hard to say without a completed story, but I’m not sure I would have kept this sequence in the novel. It might work better as one of the short stories in “Repairing Armageddon,” since it’s eleven thousand words of Darrin running pillar to post to make a phone call. I was being pushed at the time to make my stories longer, longer, longer, after decades of being told to Strunk and White the hell out of them, so there was really nothing to spare for the scrap heap. However, apart from two or three of the more annoying typos, this is entirely first-draft material.

Political Patreon: You Can’t Win The Mall

There’s two sides to every story, and while it might seem a little odd to come down on the side of the corporate suit in a tale about community activism, it’s just as important to meet people where they are. Time and experience have shown the flaws in Duman’s protest technique.

The version of this story that I included in “Six-Pack” had a much flakier Duman and a much more harassed Esterbrook. Had I written this 2014 story either ten years earlier or ten years later, Esterbrook and Duman would have skipped off into the forest arm-in-arm, either through a vindication of youthful perceived moral superiority or a middle-aged daydream desire to flee the grind.

Personable Patreon: Wet / This Thing that I’ve Become

I think I wrote “Wet” in 2014, when the idea of being able to escape the pressures of American life by turning into a fish and swimming away would have had a certain appeal. I was wondering whether this story had some Jonathan Livingston Seagull influence when I re-read it. It’s specifically set in Scarborough Marsh, a tidal saltwater wildlife preserve in Maine.

There’s no paywall on “This Thing that I’ve Become,” a Kilimanjaro Rising story written around 1993 or 1994. I don’t know whether its guilt-ridden protagonist chose to become a werewolf or whether it was something that just happened, but dealing with the reality of it has complicated his life, and now he’s on the run. This would have been a very different story if I’d written it thirty years later, but I like its isolated intimacy.

Perceptive Patreon: Citywolf / In the Soup

Two Patreon stories again this week, and one of them has no paywall.

I first wrote “Citywolf” in 1993. The Citywolf is probably my most unreliable narrator and is certainly my most delusional, convincing himself that a simple trip to the library to drop off some books is an adventure only he can see through a wasteland only he can accept. However, a lot happens on this simple trip to the library – more than might happen if he was truly delusional…

I wrote “In the Soup” a couple of months ago. I started thinking about the old and frankly racist trope of the two explorers sitting in the cookpot surrounded by cannibals waiting for dinner, a trope made famous in Warner Bros. cartoons, New Yorker pages, and Mad Magazine articles. My brain started begging for a subversion. The result was this story of two human explorers, one experienced and one naive, finding themselves in a similar position, with one explorer completely misinterpreting the situation.

Prehistoric Patreon – Sure as Kilimanjaro Rises

This was the first werewolf story I ever wrote.

I spent a lot of the summer of 1992 in the woods out back; sometime in August I wrote this story about nature as escape. The story went through extensive rewrites to be Patreon-ready; the original was full of speculative monologues and inside baseball, and I felt it would be poorly understood. It was one of the easiest rewrites I’ve ever done.

The title comes from Toto’s “Africa,” one of my favorite songs. My favorite interpretation of the song is that it’s about yearning for a place you’ve never been. The deuteragonist of this story is someone who can’t understand why he’s obsessing over a co-worker; the antagonist is someone who’s pretty much given up.

I wrote a number of stories with the same theme throughout the 1990s and gathered them under the group title “Kilimanjaro Rising.” I’ve been leafing through some of them. Maybe I can show them off soon.